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tierradentro:

Details from Giorgione’s “Judith with the Head of Holofernes”, c.1505.

“Giorgione shows the heroic instance, the triumph of victory by Judith stepping on Holofernes’s severed, decaying head. But the emblem of Virtue is flawed, for the one bare leg appearing through a special slit in the dress evokes eroticism, indicates ambiguity and is thus a first allusion to Judith’s future reversals from Mary to Eve, from warrior to femme fatale.” (Renate Peters, “The Metamorphoses of Judith in Literature and Art: War by Other Means”).

(via tierradentro)

arcadiaart:

Théobald Chartran (French, 1849-1907), “La joueuse de mandore” (detail).

arcadiaart:

Théobald Chartran (French, 1849-1907), “La joueuse de mandore” (detail).

(via tierradentro)

paintingses:


Lamia (detail) by Herbert James Draper (1863-1920)
oil on canvas, 1909

In ancient Greek mythology, Lamia was a beautiful queen of Libya who became a child-eating daemon. Aristophanes claimed her name derived from the Greek word for gullet, referring to her habit of devouring children. x

paintingses:

Lamia (detail) by Herbert James Draper (1863-1920)

oil on canvas, 1909

In ancient Greek mythology, Lamia was a beautiful queen of Libya who became a child-eating daemon. Aristophanes claimed her name derived from the Greek word for gullet, referring to her habit of devouring children. x

(via tierradentro)


The Suicide of Lucretia (Detail) Meester met de Papegaai,1525.

The Suicide of Lucretia (Detail) Meester met de Papegaai,1525.

(Source: c0ssette, via tierradentro)

Peter Paul Rubens
Allegory of the celebration of the winner
Detail

Peter Paul Rubens

Allegory of the celebration of the winner

Detail

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